Dining Incognito
Patina
Tara Weingarten
08/02/2004

Seldom do the words “Disney” and “fine dining” appear in the same sentence. (After all, the theme parks’ signature item is Mickey-shaped chicken nuggets.) But since Patina, one of Los Angeles’ most celebrated restaurants, reopened downtown at the new Walt Disney Concert Hall, the two have become synonymous. Superstar chef Joachim Splichal’s reborn Patina is a fresh interpretation of his former restaurant, which thrilled diners for 14 years before closing in 2003.

Inside the architecturally celebrated concert hall is a chef’s table to rival any of the city’s private dining rooms. Patina’s new contemporary setting fits seamlessly into the concert hall’s strikingly modern styling. Folding and undulating stainless steel sheets wrap around the building exterior, exuding the ethereal, physical construct of a symphony.

Just to the right of Patina’s intimate bar is a gossamer, oyster-hued linen curtain. Pull the curtain aside to reveal a minimally set table for up to 12 guests. Twelve bright-orange water glasses add color to the dark wood table, set with crisp, white napkins. Unlike other elegant dining rooms that showcase original artwork, the focus here is on the frenetic drama of the kitchen, as seen through the 7½-foot picture window. The walls are unadorned, save for one hewn from wavy dark walnut, laser cut to appear like a theater curtain.


This wooden curtain conceals a small wine cabinet, which stores a few spectacular bottles from the restaurant’s ambitious 42-page wine list. The inventory includes a 5-liter 1975 Château Mouton Rothschild Pauillac, for $2,100, and a jeroboam of 1995 Perrier Jouët Belle Epoch Gold Millennium 2000 special edition, $3,200.

Though the décor is stunningly chic, executive chef Theo Schoenegger’s meticulous cooking is the true eye-opener. Schoenegger serves a six-course chef’s menu ($120 per person) that changes with the seasons. A diver scallop carpaccio with white asparagus melds perfectly with a dandelion salad drizzled with a pine nut and fraises des bois vinaigrette. Another course highlights black cod, glazed with Quebec maple syrup, with lobster ravioli and a yuzu-ginger emulsion. This creates the perfect segue to the main course: olive oil-poached squab breast with wild mushroom risotto and port foam.

The dinner concludes with a phenomenal cheese course, as guests select from a cart that includes samples from around the world: ami du chambertin, a Burgundian delicacy that boasts forceful, barnyard flavors, and a nutty Brie de Meaux that exudes buttery smoothness. Unique cheeses tempt the palate, notably a Humboldt fog from Northern California and a St. Maure goat cheese from the Loire Valley. For $60 more, diners receive a wine pairing for each of the six courses from sommelier Eric Espuny, one of the city’s sharpest wine stewards.


Phil Rosenthal, executive producer of the television sitcom Everybody Loves Raymond, recently celebrated his birthday with a few friends at the chef’s table. “It is as good as food gets in L.A.,” he beams. “The wine pairing was an art form done to perfection, and the cheese was like fireworks at the end of the dinner.”

Rosenthal and his guests laud Patina’s service. “It is not pretentious or stuffy. I don’t recall any other four-star restaurant in New York or Los Angeles being that friendly and warm without losing an ounce of professionalism,” Rosenthal recalls. And he appreciates the staff’s sense of humor. Rosenthal’s wife, Monica, one of the actors on Everybody Loves Raymond, was also celebrating her birthday that evening. “Prior to our dinner, they asked for a title for our menu, and I told them it would be a shameless night of gluttony. So when we sat down and looked at our printed menu, it had our names and the words: A Shameless Night of Gluttony.”

Of course, gluttony is a sin best shared with dear friends, tremendous food and sublime wine.

Patina
213.972.3331
www.musiccenter.org/patina.html