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Joan Starcke began acquiring Victorian majolica some three decades ago, “when
nobody was really interested in it.” The highly colorful pottery now fills her
New York apartment. Starcke loves her majolica, from the tiny butter-pat dishes
to the huge soup tureens, and speaks of it with affection and respect. “It makes
me smile,” she says. Yet when asked about what kind of plans she has made for
her collection on her death, she concedes she has none.
 | | COLLECTIBLES, SUCH as this Majolica wine cooler, may be treasures for us, but could mean hardship for our heirs. | In this
respect, Starcke is hardly alone. Given the numerous legal and administrative
hurdles associated with the crafting of an estate plan for
collectibles—confronting a 28 percent capital gains tax on appreciated art,
securing accurate appraisals, skirting a wary IRS Art Advisory Panel, and then
finding the right legal vehicle—many collectors quickly become overwhelmed. Even
divvying up a large collection can be knotty. “Financial assets like stocks and
bonds are easy to divide up,” says Andrea Lawrence, an estate and fiduciary
specialist at Calibre, Wachovia Bank’s family office in Philadelphia. “But how
do you split a painting down the middle?”
Donating the collection to a
museum—once the simplest solution—has become problematic. Some organizations,
like the Museum of Modern Art in New York City, are becoming increasingly wary
of taking on entire collections because they have only limited space. “The
donation process can become an art in itself,” observes Michael Mendelsohn, a
collector of American Folk Art and a proponent of efficient planning for
collections. That is why multigenerational dynasty trusts or partnerships that
permit flexibility and exchange of units are the ticket for some collectors who
wish to bequeath artwork to future generations. When crafted correctly, these
trusts provide the additional benefit of blunting the effects of gift and estate
taxes.
Value and Validity Joanne Johnson, a wealth advisor at JP Morgan Private
Bank in New York City, recommends a practical first step: assessing the worth of
our collectibles. “If your collection comprises up to 50 percent of your overall
assets, but doesn’t dominate them, your concern should be focused on how to
divide it up among future generations,” she says. “Problems arise when your
collection is so valuable and appraises so highly that its value exceeds the
liquidity of your estate on death.” In this case, say experts, directing a sale
is the best and simplest solution.
Over time, collection expenses—and
the quality of the collectibles themselves—often spiral upward. But often, says
Ralph Lerner, an expert in art law with the firm of Sidley Austin Brown &
Wood, collectors never bother to remove older, less valuable pieces from their
collections. These pieces, advises Lerner, should be sold to build a sinking
fund to pay taxes or purchase insurance. Then we can move ahead to hire an
attorney to work out a plan.
Indeed, one of the more difficult aspects is
appraising the collectibles themselves. The key is finding a good appraiser,
because the consequences of poor appraisals can be dire: severe tax penalties or
forced liquidation of the collection. Appraisers should be experts who are not
connected to an auction house, because they might have hidden profit motives,
such as the consignment of certain pieces or even the entire collection. “Hire
appraisers with no financial interest in the material and who have expertise in
the specific area of your collection,” says Jane H. Willis, president of the
Appraisers Association of America. Besides her organization, Willis advises that
collectors consult two other nonprofit trade associations for referrals—the
American Society of Appraisers and the International Society of Appraisers.
These organizations have authoritative ethics committees to use as recourse if
problems with an appraisal arise.
TOP VIEW Art, antiques, furniture, rarities—for many of us, our collections are the best
reflection of our personal aesthetic. As such, it is often difficult to broach
what will happen to these individualistic and often iconoclastic portfolios when
we are gone. But with careful planning, we can ensure our collections end up
where we want them—with a museum, our children or like-minded collectors—without
being swept away in a torrent of gift or estate taxes. | Also, the IRS has its own stringent
mechanism for appraising appraisals: the Art Advisory Panel, an oversight body
comprised of 16 to 20 experts drawn from the ranks of galleries and museums. Tax
returns selected for audit, typically those claiming property that exceeds
$20,000 in value, are brought before this panel for review. The panel meets in
Washington, D.C., once or twice a year, reviewing some 250 to 300 items at each
one-day meeting. According to some experts, the IRS has cracked down on
valuations lately because of uneven appraisals—donated items routinely valued at
the high end and gifted ones valued at the low end. Although panel members are
not told whether an item is being gifted or donated, says one former member, “it
was patently obvious when people were [making donations, since they were]
claiming their items were worth five to 10 times what they actually were.”
According to James Maroney, a private art dealer in Vermont, making sure the
appraisal is well documented offers some protection. Still, “the system is so
hopelessly arbitrary I would say do everything you can to avoid it,” he
concludes. In 2002, the panel reviewed 469 items with an aggregate taxpayer
valuation of $100.4 million, on which total adjustments of $46.9 million were
recommended. For items in charitable contribution claims, an average reduction
of 60 percent was recommended. Conversely, for estate and gift appraisals, the
average valuation increase was 88 percent. Inaccurate appraisals are not without
consequence: If an object’s valuation is found to be off by more than 150
percent of its fair market value, an additional 30 percent of the tax
underpayment is assessed. In this circumstance, appraisers may be subject to
sanctions as well.
Elaborate Chess Game One effective legal tool for passing on collectibles
to heirs—a Chippendale highboy, for instance—is a dynastic generation-skipping
trust. Such trusts bypass gift and estate taxes. They do not, however, survive
more than 21 years beyond the death of the last beneficiary alive when the trust
was settled—or possibly longer, depending on where it was written.
Dynasty trusts are often initially funded during one’s lifetime by
harnessing the $1 million gift tax exemption, and later by using the estate tax
credit of $1.5 million for an individual or $3 million for a couple. High-value
assets like the Chippendale highboy then reside inside the trust as long as the
trust exists. However, since a highboy does not produce income by itself, it
could be sold and the money held in the trust or distributed according to the
discretion of the trustee. “[A dynasty trust] is a good vehicle in just about
all circumstances,” says CPA Larry Lipoff of Perelson Weiner in New York City.
“It defines succession and protects the assets against acts of malfeasance.” If
a lawsuit is initiated against an individual whose assets are held in trust, the
assets are virtually immune. The generation-skipping trust, a variation of the
dynasty trust, can be exempt from the Generation Skipping Tax for as long as the
trust exists. Any person can transfer up to $1.5 million into it without
incurring the generation-skipping trust tax.
While quite effective, these
trusts are not perfect. Because the assets do not produce income to pay taxes
and other costs, experts suggest that collections worth less than $2 million
be placed in trusts that can provide tax exemptions. Above this threshold, a
collection can be donated en masse to museums. Second, the actual possession of
the asset is significant—especially to the IRS. That means the collectible must
be in the physical possession of the beneficiary. It also may be loaned to a
museum, kept in a warehouse or even displayed in an in-home museum. It cannot,
however, reside in the grantor’s own home.
Moving the property into a Family
Limited Partnership (FLP) also lowers the tax consequences of a lifetime
transfer of collectibles, says Jon Gallo, a senior partner with the Los Angeles-based firm Greenberg Glusker Fields Claman Machtinger &
Kinsella. In an FLP, general partners control the trust, and limited partners
share profits but not control. Thus, a couple may own a 1 percent interest as
general partners and 99 percent as limited partners. Then they transfer the
collection to the partnership. The FLP interest is an asset that can then be
given to a dynasty trust, since under current gift tax law, valuation discounts
are allowed. The end result: leveraging the gift tax lifetime exemption.
However, one must stringently follow the rules. “One must look at the FLP assets
as owned by a business that is owned by the family,” explains CPA Lipoff. “The
head of the family has a fiduciary responsibility to the other family members to
protect their assets.”
Jon Gallo offers this final advice: “Estate taxation
is an elaborate chess game with the IRS, and if you play by the rules, you will
always win in the end. The IRS simply expects you to obey the laws.”
Photo courtesy of Marilyn G. Karmason, M.D., Majolica International
Society Additional Information
Avoiding Mistakes |