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Big Game Hunting
Michael Pollock, Paul Bromberg and Fredric Gushin
04/01/2007

The greatest threat that could derail the American casino industry’s bright future is not economic, but political. In state after state, the tax rates that politicians impose on casinos seem to inevitably settle at roughly 50 percent. (These are, of course, the "effective" tax rates. When a casino must pay 10 percent or more of its revenue to the racing industry to supplement purses, technically that is not a tax, but it has the same effect.)

The casino industry has struck a devil’s bargain in the states in which it hopes to expand. Political leadership in these states invariably views casinos as a new and "free" revenue source. Not surprisingly, casino legalization tends to accompany economic downturns. The explosion of riverboat casinos, for example, followed the recession of the early 1990s. Adelson’s Sands plans to build a $600 million hotel, mall and casino on a vacant ore field at what was once the Bethlehem Steel Works in Pennsylvania.

Politicians are deaf to any arguments that gaming tax rates should be lowered to more reasonable levels. They choose not to listen to any notion that lower tax rates would result in more capital investment in their states, thus creating more jobs, attracting more visitors and ultimately generating more revenue. The result is that casinos will inevitably expand into more states, but these high tax rates will discourage casino operators from building integrated resorts. Instead, the industry is developing what can be best described as a hub-and-spoke model. The entertainment destinations serve as the hubs, while the high-tax franchises function as the spokes. Naturally, the hubs are the markets in which casinos have attained some level of critical mass, such as Las Vegas, Atlantic City and the Gulf Coast of Mississippi.

The industry’s long-term agenda is to continue evolving toward mainstream entertainment, which would allow it to penetrate even deeper into the adult demographics. This strategy does not translate into turning nongamblers into gamblers, but instead aims to develop new attractions to draw in new customers. This business model suggests that a casino is just one piece of an entertainment mosaic. The casino, of course, is the centerpiece that brings customers to the particular locale, while allowing major resort operators to price even highly upscale restaurants and hotels competitively.

Michael Pollock and Fredric Gushin are the managing directors of
Spectrum Gaming Group. Paul Bromberg is chief operating officer
of Spectrum OSO Asia.

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