What
could have been a knuckle-biting three years, the owner adds, was a lot of fun.
At the end of the process, he also enjoyed the added financial perk of dropping
Johnson’s name: “His name on the yacht will raise her value when we go to
charter her. Yachts this size charter for $110,000 to $185,000 per week. I think
we’ll see the higher end.” “There’s no question that a good designer’s
name on a yacht increases its value,” says William Smith of Trinity Yachts in
New Orleans. “That’s why we have worked with Dee Robinson over the past 10
years.” Robinson, a 25-year veteran based in Fort Lauderdale, Fla., has
designed the interiors of virtually every Trinity to come off the line—including
its first yacht, the 150-foot Victory Lane, launched in 1993, and most recently
the 142-foot Chevy Toy. “Everyone thinks we’re tied into Dee,” says Smith. “But
we’re not. She’s hired by the owners. She gets tremendous repeat business
because she’s very good about figuring out and delivering what they
want.” Robinson’s first yacht project, in the 1970s, was for Evel Knievel, on
his Feadship, Evel Eye. Robinson marvels at how far technical yacht design has
become since designing Evel Eye. “I don’t tell my clients this when I’m starting
a design,” she says, “but I couldn’t care less what colors they like. I’m
dealing with massive space, lighting and structural problems. You should see the
amount of technical drawings to enclose, hide and disguise the yacht’s systems.
It takes a lot of forethought to get that ‘tah-dah!’ look.” Robinson works
with numerous builders other than Trinity, and besides Chevy Toy, designed the
interior of a 170-foot yacht recently completed in Hong Kong. She does not
believe being a woman is a handicap in a design world dominated by men. “After
25 years, I think my work speaks for itself,” she says. “I’m even breaking the
glass ceiling in the Persian Gulf, with two Arab clients.”
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