Holland also had another challenge—the three-level interior
of the yacht. Known for his hulls and topsides, he worked closely with the
Vittorias on the interior layout, hemmed in by the demands of a performance
sailboat and strict MCA code. “The interior is outstanding,” says Paul Johnson.
“This will put him in the same class as many interior designers.” Holland
collaborated with Dan Lenard of Venice’s Nuvolari & Lenard on Felicita West,
with Lenard designing the interior. (It is not uncommon for designers to team up
on specific projects, depending on their expertise. Andrew Winch, for instance,
designer of the Feadship Solemates and Cakewalk, among many others, has worked
with other designers and naval architects on many projects.) Lenard had the
distinction of being the first outside designer Perini Navi used, and he has
raised his reputation a notch or two by designing the complete package of CRN’s
141-foot Magnifica, the first of that company’s three-yacht series. “Nobody
would build a single custom yacht like this because there is so much exterior
detailing,” he said. “But with a series, you take much of the cost out of the
detailing and the boats get better as each one is built.” A few designers,
such as Lenard and Francois Zuretti, have also designed a semicustom series of
yachts (Zuretti for Benetti and Lenard for Carver); as ShowBoats’ Gilbert
observes, this adds to an owner’s bragging rights while keeping the costs down.
“It’s like Karman Ghia did with Volkswagen, but we’re talking about dozens of
units instead of thousands,” he says. Still, to see Lenard’s name on a
traditionally American production yacht like the Carver Marquis 59 shows the
international reach of the most sought-after designers.
|