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Passion Investments: Collectibles
American Minimalism
Debra Ryono
12/01/2007

Ted Lytwyn and his wife, Cara Corbo, had a relatively easy mission: find furniture for their home. But what began as a simple need evolved into a 30-year passion for the Arts and Crafts movement.

WHILE MANY Arts and Crafts pieces are considered little more than quaint antiques, others command six figures. An armchair made by Greene and Greene sold for $913,000 at auction in June. (Photograph by Sotheby's.)

Price records for Craftsman items were shattered earlier this year when a one-off armchair sold for $913,000 and a vase for $516,000. But while the best—and rarest—commissioned items sell for five and six figures, many pieces from the period bring in less-than-stellar prices, a situation that can be either bane or blessing, depending on what a collector is looking for.

The American Arts and Crafts movement began in the closing years of the 19th century and segued into the early 20th, during a period of extensive social change. Electricity, automobiles, planes and moving pictures were changing lifestyles. In architecture, the new Craftsman design eschewed the ornate gingerbread of the Queen Anne style, emphasizing instead minimalist lines. Today, from tiny to grand, the Arts and Crafts bungalows of the early century still dot the American landscape.

Inside the home, Craftsman design encompassed all elements—furniture, lighting, even dishware. The lavish displays of Victorian decor gave way to simple pottery and metalwork; belongings that once would have been on display were now tucked away in built-in cabinets, bookcases and seats. However, "minimalist" did not mean "stark." In walls and furniture, the joinery was celebrated via touches such as wedges. And lines, though simple, exuded artistry in their angles and intertwining. Today’s Mission furniture is a direct descendant of the style.

VALUE JUDGMENT
Arts and Crafts items run the gamut from fur-niture to lighting to pot-tery, and prices can vary just as much. While top pieces have broken records in recent years, less unique items still sell for rather unimpressive amounts. Condition is often critical, particularly when it comes to furniture. Experts say the best opportunities these days can be found in pottery, where prices have steadily risen.

Among Arts and Crafts architects, brothers Charles and Henry Greene possess astral status. The best example of their work is the Gamble House in Pasadena, Calif., built in 1908 as the winter residence of Procter & Gamble’s David and Mary Gamble, who lived the rest of the year in Cincinnati. The Greenes used repeating themes such as bisecting lines and climbing roses throughout the home.

They also designed most of the house’s furniture and decorative objects. From the piano to picture frames, lighting to andirons, the same or complementary patterns were repeated. In those rooms where the Greenes didn’t design the furnishings, they recommended pieces made by Gustav Stickley, one of the fathers of the American Craftsman movement. The Gamble House is now jointly owned by the city of Pasadena and the University of Southern California, and is open to the public.

The Blacker House, Greene and Greene’s largest commission and a neighbor of the Gamble House along Pasadena’s Millionaires’ Row, suffered a far different fate. Like the Gamble home, the Blacker estate’s furniture and accoutrements were designed specifically for the house. However, much of the furniture was sold in a lawn sale about 1950, and in 1985 the home was purchased and stripped of its lighting and leaded-glass windows. In response, the outraged Pasadena City Council passed an ordinance forbidding the removal of significant items from a house for which they were commissioned.

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