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| Shared Passions |
Framing the Future
Regan Good
08/02/2004
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 | KRAMARSKY COLLECTION
Clockwise from top, Sol Lewitt, Eight Geometric Figures,
Wall Drawing #738, 1993; Richard Serra, Untitled (14 part roller drawing),
1973; Carl Andre, five steel plates, four copper plates, 1989; Scott Reynold,
Untitled, 1993, 16 units. |
Major city museums are not their only option.
“Many small museums all over the world might be delighted to have certain
collections,” notes Natasha Pearl, CEO and founder of the wealth advisory
service Aston Pearl in New York. An art advisor who knows the market for our
particular genre is generally the best source for investigating venues that are
off the beaten path.
The Williams, however, have masterminded their own
showcase in the form of a research institution that will house the majority of
the collection and provide scholars access to their art and a well-stocked
library. Their Print Research Foundation in Stamford, Conn., near their home in
Greenwich, provides assurance, at least through their lifetime, that they will
be able to offer a collection that sheds light on the history of printmaking in
America. They hope that, eventually, a larger institution will take over their
foundation to oversee it for the long term.
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